Bob Rosenwald is the only 70-year-old I know who tools around New Hope on a Honda motor scooter. With his penchant for naming everything, he calls his scooter The Rinky Dink. Two other means of transport for Bob are his ear with a license plate that reads 2-de-lao and his rowboat, The Hunky Dory. Distinctive would be a word to portray Bob, whose two obsessions, sculpture and chess, have informed his quirky and pun-filled life along the Delaware River. But how he beat Bobbie Fisher at chess is one of Rosenwald's best stories: "I was walking the beach at Martha's Vineyard some years ago and l saw two kids playing chess. One of the kids asked me to join him, but he said he was going to change the rules. 'If you win, I win,' he said, 'and if I win, you win.' I answered, 'Sure, why not'?' I was successfully losing the game, when, toward the end, I was left with a king and a pawn...and that kid managed to force me to win! So I beat him, but l lost. The kid turned out to be 14-year-old Bobbie Fisher, who was at that time the U.S. junior champion in chess. "My father, Lessing Rosenwald, taught me to play when I was four or five years old, and I've been playing and inventing chess boards ever since. My father knew a lot of people in chess. At one point, he donated $2000 to the winner of the U.S. Open, which became known as the Lessing Rosenwald Championship. At 14, the age when I met him, Bobbie Fisher played Donald Bern in the U.S. Open Championship. Sacrificing his queen, Fisher @ron the game, and it became known as the game of the century." it's no surprise, then, that chess has made its way into Bob Rosenwald's sculpture. His three one-man shows of nothing but chess sets and chess boards led to a current commercial creation named "Hickory Dickory, the Ulti-Mate Compact Chess Set," an ingenious foldaway set in paper and cardboard, planned with computer-assisted design. He named one of the horses in the set Sylvester Stallion, and Bob's self-coined "pen name in chess" is Bjorn Toulouse. in his art, from 1945-81, Rosenwaid worked in wood, stone and some bronzes, and from 1981 to the present has created nothing but his large and characteristically clean kinetic sculptures-those that move. His work, he says, is informed by life along the l3elaware, and the constant movement of the water outside his windows. (Once the water got in, and he'il never forget it. Showing me the high water mark in his studio at seven feet, he said, "I lost everything.") Rosenwald's three huge kinetic sculptures of welded aluminum are landmarks in Bucks County, especially the one installed through a Pennsylvania Council on the Arts grant as the result of winning a New Hope Arts Commission competition. As it moves in the river's wind, Sign of the Times seems to wave goodbye to the many tourists who have visited the area as f.hey wend their way back to New Jersey across the narrow New Hope-Lambertville free bridge. Rosenwald's sculpture almost seems to be waving a friendly, "2-de-loo."

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